Tuesday, September 08, 2009

Bizarrism #10

When Dann Lennard is not running after his daughter Jones (see below) he's probably amusing himself with such a zine.
If people asked me what a zine is, I would show them this jewel from Australia. Admittedly, not all the zines out there feature weird people and tall stories, but all of them – and especially the best ones – approach their chosen subject without filters or inhibitions, and are refreshingly candid and honest. Add to all this a real talent for writing and you have Bizarrism. In issue #10 you will find, among other things, articles about the mystery surrounding Floreana Island; the horse mutilator of Albury; the Collyers Brothers, compulsive hoarders extraordinaire; and our favorite dictator, Uganda’s Idi Amin.


This could be considered as typical tabloid/trashy stuff, but be careful because editor and main writer Chris Mikul thoroughly researches his stories and displays a well-developed critical sense and a healthy dose of humor. This is what separates this zine from those whose only goal is to shock people. Maybe not a zine for everybody, but one which rewards the curious reader.
AUS$6.00/US8.00 postpaid/full size/40 pgs.
Chris Mikul, P.O. Box K546, Haymarket, NSW 1240, Australia
Isn't She Lovely

This one arrived only a few hours ago. Dann Lennard and Helen Vnuk are the middle-class-looking weirdos who have been publishing Betty Paginated from their base in Australia (see older post). Rather improbably, they managed to create the little angel you see featured below...



... and this zine chronicles Jones' growing up. I haven't read this one yet, but if it's as good as the premiere issue, it's a keeper.
Hell, I wish I had a dad like Dann...
If you want some of their stuff, mail them at danhelen@idx.com.au
Blackguard


Are you tired of reading silly, badly drawn comics? Here’s something you might like – if you have nothing against sex, violence and blasphemy, that is. Mr. Stratu (of Sick Puppy Comix fame) is finally back with a vengeance, and has assembled a bunch of talented (sometimes demented) artists.



Issue #1 loosely revolves around “religious crazies,” while the brand new second offering is subtitled “Father.” This is an excellent zine, with full color cover and high production values. Recommended to all the not-so-easily-offended comic lovers.
$7.00/digest/40 pgs.
P.O. Box 93, Paddington, NSW 2021, Australia
Disconcerting

Janell is hot. She has decided to publish her zine on a monthly basis and she has managed to keep the pace so far. Luckily her writing hasn’t suffered from all this work. This is your typical perzine, by a 23-year-old “advertising student and geeky dreamer” from Singapore. It consists of personal thoughts and feeling towards the places and people she encounters every day.



Her style sometimes betrays her young age, but all in all it is very mature and poised. An added point of interest is reading about life in Singapore. And don’t forget Janell’s drawings that manage to be chaotic and detailed at the same time. This is definitely one of my best recent finds.



$3.00/digest/44 pgs.
me@janell.tk http://janell.tk/
Dr. Danny Swank

If you care about checking Dr. Swank’s page in wemakezines.ning.com, you will find the picture of a slightly weird but very likable older gentleman. I’m told this is not the doc’s real portrait, but I refuse to believe it. After all his writing style, erudite but funny, perfectly fits that photo.



As for his zines’ contents, Manuscripts Don’t Burn features true stories about this and that, most of them written by the doc himself, including the always hilarious Tales from the Bus that have also been collected in a single zine of the same title. In my opinion, though, the real jewel is Cranky Buddha: This is a history zine of sorts in which the doc writes about such people as Benjamin Franklin, Diogenes the Cynic, and Calamity Jane by mixing rigorous historical research and wicked humor.
Quote: “I saw an interesting factoid recently: Human beings are physically incapable of licking their own elbows. Try as I might it turned out to be true, at least in my case. But I was close. And now my shoulders hurt.”
Cranky Buddha, $2.00/digest/64 pgs.
Manuscripts Don’t Burn, $2.00/digest/28 pgs.
2262 SE 39th Ave, Portland, OR 97214

Wednesday, June 10, 2009

Subscribe!

Dear readers,
Here's a question for you: Why risk to lose even one of my surreal posts when you can easily keep track of what I write, and when?
I mean, WHY?
I suggest that you click on that little "Post" thing in the upper right corner NOW. You will not regret it.

Sunday, March 15, 2009

Tourism (2)


I should have posted this one several months ago, but as the more faithful followers of this blog know all too well, I'm constantly fighting my chronic laziness.
This said, I still remember with great fondness the nice meeting I had with fellow mail artists Antic Ham (South Korea), Francis Van Maele (Luxemburg, now living in Ireland) and Keiichi Nakamura (Japan).



Our rendez vous took place in Shin Okubo, an area near Shinjuku that's famous for being a sort of Little Korea, full of Korean restaurants, Korean shops, etc. Francis was afraid that Ham would be homesick away from her country and found a hotel in this area. Ah, the joys of traveling!... The main event took place in a Korean seedy eatery where we had the only possible kind of mail art congress: We got drunk.
Japan post


I think I have mentioned before how wonderful the postal service in Japan is. They will deliver the goods no matter what, and will even apologise for something they haven't done in the first place. Here are a couple of examples, respectively coming from the US (slightly broken envelope) and Serbia (flood- or typhoon-altered envelope)




The second envelope contained Dobrica Kamperelic's long-running zine Open World. As you can see, the zine itself got a nice treatment that added some colour to its usually b/w design.

Now, THIS is a mail art catalogue

Once upon a time, paper ruled mail art. People wrote letters (imagine that), didn’t know what a computer was, and all the project documentation was in paper form, ranging from simple lists of participants to thick catalogues. Nowadays most people opt for posting all the works in a blog, mainly because it’s less labor intensive and definitely cheaper. Still, once in a whole I come across an old school doc, and the zine that Mujinga produced for his project Utopia is very well worth mentioning.






Inside you will find a brief description of the works he received, the usual list of contributors and, most importantly, a discussion on what mail art is and an interesting piece on how and why he embarked in this project, including the problems he encountered and the lessons he learned. All in all it’s a very useful primer for people who are thinking about doing the same thing, or are interested in the subject, and even includes a handy list of mail art-related web sites.
$2/Digest/20 pgs
Mujinga/Edward, 1 Delves Cottages, Church Hill, Ringmer, Lewes BN8 5JY, UK
spaceman@mujinga.net or http://wemakezines.ning.com/profile/mujinga

Madagascar!!! (the real thing)

If you are a paper fetishist like me, you’ll better get Well, Here We All Are!
Stories from Madagascar, Land of Golden Cows
before Sailor runs out of copies. You’ll get a heavy cardstock cover (mine was a nice brown that shines and twinkle under the light) and even the inside pages were copied on high quality paper. The whole combo is then kept together with a thick black rubber band that I find very appropriate, because I may be wrong but I imagine that this stuff would be easier to find in Madagascar than staples.




Then you open the zine and you are transported into this alien land where life is much different from so called civilized countries. Sailor spent one month on the island, visiting her friend who was working as a Peace Corps Volunteer. Alternating typewritten and handwritten texts with photos and quirky & cute drawings, she tells about life in Madagascar, its people, customs, food, language, etc. It’s the next best thing to actually boarding a plane and seeing it for yourself. Recommended.
$3.50 or selected trades (email first) /Digest/64 pgs
Sailor Holobaugh, 4 Valley View Ave, Takoma Park, MD 20912
sailor.holobaugh@gmail.com http://wemakezines.ning.com/profile/SailorHolobaugh
Loserdom





I must admit that my first impression of this zine wasn’t very positive. First of all, the cover was a confusing jumble. Even the many comics (they comprise about half the zine) looked rather crude. Also, I’ve never been too much into punk, and the prospect of reading endless interviews with unknown musicians wasn’t very appealing. Then I actually began to read the zine and I realized how wrong I was. Anto is a master interviewer, and his two long conversations with Irish peace and social activist Caoimhe Butterfly (11 pgs) and Deko Dachau (13 pgs) (“probably the most well known of Irish punk rockers”) are engaging and informative. I learned quite a lot about the evolution of the local music and zine scenes (the piece on Dachau even features many covers of historical Irish punk zines). What really won me out, though, were the comics. I’ve never quite seen something like this: They are a curious but ultimately beautiful mix of detailed landscapes and backgrounds and roughly drawn people who look more like caricatures. I can’t wait to get the next issue and see how Anto’s and brother Eugene’s surreal time travel ends. This monster issue is round up by zine reviews and an interesting Spanish revolution tour of Barcelona. Please gimme more!
$3 or 3 euros /Digest/112 pgs
loserdomzine@gmail.com http://wemakezines.ning.com/profile/Loserdomzine
www.loserdomzine.com
Bellarosa





This is a very nice booklet I got last year from Mariano Bellarosa, a new mail art friend from Italy I met through the mighty social network DodoDada (http://dododada.ning.com/). Mariano's forte are very detailed, somewhat weird drawings. This particualr booklet has very high production values and if you like the genre, you might want to contact him. You will find his profile in DodoDada.
AP!


If you are a mail artist, I don't need to explain who is Vittore Baroni. If you don't know him, I guess the easier thing to do is to google him and see for yourself all the things he has done since joining the mail art network in 1977. His zine Arte Postale! has been for 30 years a focal point for all the network's activities.





Unfortunately Vittore has decided to pull the plug on this project: AP! 100, that should be published later this year, will be its last issue.
The cover you see above is AP! 96, a magnificent catalogue Vittore produced last year to document an exhibition devoted to artists' books.
I believe that Vittore still has some back issues left, plus copies of some of his other publications (books, etc.). For a list, you can contact him at:
vittorebaroni (at) alice (dot) it
Xerox


The book you see below was published last year by German copy-artist Klaus Urbons to document his exhibition/project on xerography.





2008 was the 70th anniversary of the invention of the photocopier, a machine which has played a pivotal role in dramatically expanding what (mail) artists and zine makers can do, and both Klaus and I decided to make a tribute to its inventor, Chester F. Carlson.
My contribution was yet another two-issue set of KAIRAN (#14 +15) that features works by some 90 copy-artists and several articles on the subjects.
A few copies are still available. If interested, please send US$6.00 for the set (or US$4.00 for one issue) to my address.
Greetings from Kanazawa

I always say I love to live in Japan. Actually I should say I love Tokyo. I like big city life, to be precise. This doesn’t mean, of course, that I can’t appreciate the beauty of small cities. One of the places I haven’t visited yet but I’m definitely planning to is Kanazawa, a city on the west coast that is famous for Kenrokuen, considered by the Japanese one of the three best gardens in the whole archipelago. For the time being, I can now travel vicariously to this town thanks to mail artist and master photographer Mark Hammond who has just self-published Kanazawa in Black and White, a delightful collection of his b/w pictures that capture his adopted hometown in all his subdued charm.



Evenly divided according to the four seasons, these beautifully printed photos show you a side of Japan that people living abroad rarely get to see. This is a must for both photography buffs and people who are interested in all things Japanese.
$15 postpaid/Digest/40 pgs.
Mark Hammond, Teramachi 2-11-34, Kanazawa-shi, 921-8033 Ishikawa-ken, Japan
mark@po3.nsknet.or.jp http://www3.nsknet.or.jp/~mark/











KAIRAN 10 + 11


The visual poem you see below was made by Japanese artist Hiroshi Tanabu who is among the contributors to KAIRAN 10 +11.





This two-issue set is entirely devoted to poetry in the mail art network. It's almost 90 pages full of poetry (word-based, visual, concrete, etc.) and poetry-related articles and interviews.

KAIRAN 10 features:
- a massive ABC by Guido Vermeulen, who introduces many artists who are seldom included in mail art publications.
- a photo-report by Bruno Chiarlone on his postal actions
- an article by Theo Breuer on visual poetry
- a report by Nancy Burr about the NorthWest Concrete/Visual Poetry Exhibition in Seattle
- a piece by Carla Bertola on sound poetry by Italian female artists
- plus poems by Giovanni Malito, Turk LeClair, Monica Ferretti, Marilyn Dammann, Francesco Mandrino, Bernd Reichert, etc.

KAIRAN 11 features:
- interviews with Harry Burrus, Mark Sonnenfeld, David Stone and Francesco Mandrino
- an article by Misako Yarita on concrete and visual poetry in Japan
- a piece by Keiichi Nakamura on collaboration in poetry and art
- opinions by Geof Huth, Michael Peters, and Michael Basinski on visual poetry
- plus tons of poems by Reed Altemus, Ficus Strangulensis, Jim Leftwitch, Jesse Glass, Jr, Willi Melnikhov, Laura Ryder, Pete Spence, etc.

A few copies are still available. If interested, please send US$ 6.00 or 5 euro for the nice pair (US$ 4.00 or 3 euro for a single issue) (well-concealed cash) or a good trade (you know what I mean) to:

Gianni Simone
3-3-23 Nagatsuta
Midori-ku
Yokohama-shi
226-0027 Kanagawa-ken
Japan

And remember that all the back issues are still available: in particular,
- #3 is partly devoted to the historical TRAX networking project
- #4 is devoted to mail art in former Yugoslavia
- #5 is a homage to Robin Crozier ("the most famous unknown artist in the world")
- #6 focuses on art & money
- #7 is devoted to mail art in Latin America
- #8 is about femail artists
- #9 contains a huge annotated index of mail art publications

Many of these issues also feature rubberstamp art, stickers, and artistamps.

Order today some of these great zines, so you don't have to go all the way to the MOMA in New York, the National Museum of Contemporary Art in Oslo or the Staatliches Museum in Schwerin, Germany to read them.
Cultural Terrorism

This is the back of an envelope I received from David Dellafiora, the indefatigable British networker who for several years has been plotting from Australia.


I confess I felt a little proud when I saw the "security checked" stamp, and that they had actually opened the envelope to verify its contents: To me it was as if officialdom had once again acknowledged mail art's outsider position as art's weird relative who must be kept in check.
Yes I know this is only wishful thinking.
Well, whatever.
Happy New Year!

For some obscure reason, being timely doesn't seem to be among my qualities. Therefore you will forgive me if I show these two fine pieces of mail only now - more than two months after the start of the new year.
As the people who have followed this blog from the start already know, I don't usually show all the mail I get. There are already too many people who do this. I don't think this is the best or even the most interesting way to use a blog, and to tell you the truth, I find such sites a little boring (even though I can see their "educational" value). But I degress.
I'm showing this beautiful greeting card from Ivan Zemtsov because he post it on January 5th, and arrived in Japan a few days ago. Not bad.



Also, I want to take this opportunity to thank all the people who send me xmas greetings. Alas, I never do it. I know, I'm a heartless bastard. I don't like xmas and other such festivities, and I'm not interested in celebrating. But I do appreciate your cards, etc. especially when they are as good-looking and witty as the one Keith Bates sent me last year.


Among the others, I'd like to remember Carol Stetser and Dietmar Vollmer who every year come up this new original ways to brighten my mail box.
2,000 Staples

A few months ago I finally used the last few staples left in the box pictured below.


This makes 2,000 staples in nine years. It might not be a record, but in these last nine years my faithful long-arm stapler has helped me publishing 13 issues of KAIRAN - Mail Art Forum, three issues each of Call & Response and Orga{ni}sm plus several one-shot zines, mail art catalogues, etc.
I think I'm allowed to a little celebration, right?

Monday, January 12, 2009

Tourism (1)

Because of "family issues," I don't have the chance to travel freely around the world and show up unannounced at the door of unsuspecting mail art friends (do not worry Keith!). That's why I'm very happy every time someone has enough balls (and money) to come all the way to Japan. One lady I'm particularly fond of is Jennie Hinchcliff of Red Letter Day zine and PodPost fame (the latter one is the dynamic duo she has started with partner-in-crime Carolee Gilligam Wheeler). Jennie-chan has an unhealthy passion for all things Japanese, and I've already had a chance to meet her in Tokyo not once but twice. In the photo below we are with her beau in front of Au Temps Jadis, a wonderful creperie in Shibuya (please note the fake European facade).

Every time we meet, Jennie never fails to bring some wonderfully weird present. This is a cute package she gave me the first time we met ("hajimemashite" means "nice to meet you").

When I managed to unravel the cleverly assembled combo, I found a bunch of nice envelopes she had made the night before in her hotel room by using paper she had picked up around Tokyo. I told you the girl is crazy.


Once in a while, she drags Carolee to Japan, and instead of taking it easy and visiting some nice museum, the two magpies roam the streets of Tokyo in search of used tickets, flyers, photos, cute-looking paper and other useful junk they later feature in their zines. This one is called Kimagure na dowa no hon.

If you want to have a look inside, you can check their wonderful web site out at http://www.podpodpost.com/shop.html You'll find many more delights.

Beware the Beat Motel





I have almost all the issues of this zine. This should be enough to tell you how much I like it. This is your typical punk zine, with lots of columns, zine and music reviews, and assorted articles, but as usual, the writing makes the difference, and the gang behind Beat Motel can write as well as anybody, beginning with boss Andrew Culture and his scatologically fantastic sense of humor. Or maybe I should say humour: I’m a sucker for British English – even though I’ve recently got so used to the American version that I often have to check my dictionary, or directly mail Andrew for directions. The latest issue #8 is an 80-page, 69,400-word monster featuring 18 columnists discussing the idea of ‘country’ and ‘nationalism,’, 67 zine reviews, 142 CD reviews, 10 live reviews, and a truckload of foul words.
The indefatigable Mr. Culture is also at the helm of Corndog Distro. Check out his web site and you will find more British zine delight.
2 pounds or $3 or 3 euros postpaid/Digest/52-80 pgs
Andrew Culture, PO Box 773, Ipswich, Suffolk IP1 9FT, UK
http://wemakezines.ning.com/profile/AndrewCulture
http://beatmotel.co.uk/ http://corndog.co.uk

Tuesday, December 30, 2008

Showing Off


Mail art is based, among other things, on so-called 'gift culture.' In other words, most mail artists refuse the commercial side of art and prefer instead to send each other their own creations as gifts - which, admittedly, is not a difficult thing to do as our exchanges are based on friendship, not money or interest.




Speaking of friends, the t-shirt in the photo was sent to me by my dear amigo Joan Puig aka John Mountain from Barcelona. JOMO is a relatively recent addition to the mail art network, but he is very well regarded for the quality of his correspondence and his intellectual and artistic works. Actually he is not widely known, for the simple reason that he prefers to cultivate a small personal network of close friends whom he likes to spoil with unique gifts. Like this very limited production t-shirt that features his latest obsession: finding a new paradigm shift to save the world of (mail) art from its current condition. I don't really know how to contribute to his mad quest, but at the very least I can show off his precious gift.

Friday, August 29, 2008

Love Is a Hot Gun



As zine makers never tire to state, making a zine is in itself an awesome thing, and every person who takes the time to write, put together and share his or her creation with other people deserves to be praised. This said, it’s also true that too many zines are not all that interesting. Between poorly chosen subjects, navel-gazing perziners, and just plain bad writers, I sometimes wonder why I waste my time reading so-so stuff instead of a good book. Luckily once in a while I discover something truly different that manages to both entertain and inform. American Gun Culture Report goes even beyond that, as editor Ross Eliot tackles a controversial subject in an original, thought-provoking way. The subject, of course, is gun control; the role firearms play within society and culture; and how they relate to power, violence, and politics. More importantly, Ross wants to show that not all gun owners are your stereotypical supporters of the status quo or racist paranoiacs. As he writes in the premiere issue of AGCR, “there should be no contradiction between advocating for human rights as well as gun rights.” (To get the idea, you only have to check his web site out and have a look at the photo gallery, featuring a seemingly out of place bunch of gays, Goths, and other strangely clothed people at a shooting range in Portland).
I was born and raised in Italy, and Europe has been for years an anti-gun environment. My father was a police officer, and in my family we all knew where he kept his pistol, but the place was strictly off-limits and I never even dreamed of touching it. For the last 16 years, then, I have lived in Japan, a country where firearm ownership is severely restricted. They put you in prison even if you own a modified toy gun. Indeed, the general opinion here is that the strict national laws must be thanked for the very low rate of violent deaths. With such a background, you can imagine the attitude with which I approached this zine (let’s say “open but skeptical”). Also, I keep thinking that the USA is in many respects an extreme country with extreme social conditions, and what can be considered acceptable and even necessary for people living there – “we have a moral right and responsibility to defend ourselves and our families against harm” (Wild West style) – is a little out of place in our countries. But Ross really does a very fine job of balancing all the different points of views. Another thing I noticed is that in the span of three issues, he has somewhat expanded the scope of AGCR from a strictly-gun-talk zine to a place where social and political issues are thoroughly explored. And of course there is the writing: AGCR currently boasts some of the most interesting, articulate, wickedly funny writers in zinedom. And no, Ross didn’t have to point a gun to my head to make me write such a good review. Order AGCR and find for yourself.

American Gun Culture Report
Issues #1-3, $3.00, $10.00 for a 4-issue subscription, 52 pages www.myspace.com/agcr308
editor@americangunculturereport.com http://www.americangunculturereport.com/

Friday, August 22, 2008

Back to the Roots

I’m a hardcore townie and could never live in the countryside, let alone engage in such activities as gardening or growing my own vegetables. This of course does not mean that I don’t enjoy reading about people who lead that kind of life and more generally embrace a more sustainable lifestyle. I actually envy them because I’m conscious that they are fundamentally right and it is people like me who are ruining our dead old planet.


Enter Dan Murphy and Trace Ramsey, two nice guys who like to get their hands dirty and rant about their life choices. Dan describes himself as a “gentleman farmer” (“but just because it sounds cool,” he adds) and his zine The Juniper as 1) the journal of a budding horticulturist; 2) a flippant response to the Man’s agenda; and 3) a heartfelt attempt at knocking some sense into society. The two issues I have (#9 and #10) are rather slim but they are very worth reading. In issue #9, for example, he writes about his experience working as the assistant farm manager of an organic farm near the University of Idaho. What I like the most, though, is Dan’s attitude, his down-to-earth approach and especially the lack of preaching. He is the first one to admit his faults and all the things he could do more or better, and in doing this he helped me feel more comfortable with my own contradictions.

Even Trace is actively engaged in supporting local and organic farms. He has been putting out his zine Quitter since 2005. After publishing five issues, he has decided to collect the whole lot into a 40-page hand-made book and he was kind enough to send me copy #35 (I know because each copy is numbered). The object itself is a little jewel, with a great color cover and color and b/w illustrations throughout. And then there’s the writing, of course. Put it simply, I believe that the best writing is the kind that 1) manages to be engaging regardless of the subject; 2) makes me think; and most of all 3) makes me feel like I want to take highlighter and pen and cover the pages with comments and orange marks. Quitter managed to do all these things.
Trace writes what he calls creative non fiction, and through the years has developed the ability to put common words together in original combinations. He manages to be sophisticated in a natural, unassuming way. At the same time, he anchors his rants with stories taken from his memories. Sometimes he will write something like “I was born with an extra pair of ribs” and the reader (or at least a dumb reader, such as myself) will search for hidden meanings until he realizes that is the plain truth. Apart from the autobiographical notes, the common theme that returns in all the five issues is Trace’s decision to “quit” the kind of world that humankind has turned into a huge pile of garbage. Quitting a job he hates and translates into “someone else’s hopes and mortgage and car payments;” quitting unconscious consumption; temporarily quitting the civilized world in order to live for three months in “solitary confinement” in a forest and study the breeding habits of a small songbird… What he will not quit is fighting to “preserve the history of (…) an idea that would often be considered irrelevant by the dominant culture,” and writing “for an audience that is resilient in its opposition of being taken for granted.” What can you ask more from a zine?

Back to Dan, he publishes another zine, Elephant Mess, that couldn’t be more different from The Juniper. I’ve got issue #19 that is supposed to be a kind of celebration (it is subtitled “Nice Things – The Ten Year Anniversary”) but the general mood is rather gloomy. As much as The Juniper is a call to go out and do stuff, this one is the occasion to explore darker places. It’s all about things that hurt, old wounds that never heal, and longing for solitude. As Dan himself admits, “I enjoy the reactions I receive when I routinely embody pessimism.” Luckily Dan doesn’t seem to take himself too seriously, and the overall effect is often amusing. Another major difference is the writing: The Juniper’s plain, direct style is replaced here by a more convoluted prose, which is not necessarily a bad thing. Even though Dan thinks he often sounds like an imbecile, I found this a rewarding reading experience. If you want to know 101 more things about Dan, you can have a look at his blog (listed below).

The Juniper and Elephant Mess
$2 each, Dan Murphy, P.O. Box 3154, Moskow, ID 83843, USA, juniperjournal@hotmail.com , http://juniperbug.blogspot.com/

Quitter
$15 plus shipping. Trace Ramsey, 160 A. W. Buckner Rd, Siler City, NC 27344, USA, localrevolt@hotmail.com , http://www.goodlucknotdying.com/